SL: I think the Park Paintings are some of the best work you’ve done. I’ve never thought of you as an artist involved with landscape as much as I thought your work was about bearing witness to an experience of the LAND. It may be a difference without a distinction, but in your work I… (read more)
SL: I got a real hands-on education from you when I was a participant and Skowhegan and you were the shop technician. I learned so much from you but I didn’t really have an understanding of your practice until I watched you work on Possible Odyssey in 2005. I got a real education in… (read more)
SL: I know the first works of yours I saw were the Detroit Portraits that you made with the students of Chadsey High. This was back in 2004 (right?) and the notion of a collaborative photo practice was something that was new to me. I had always thought of the photographer being the agent, taking the… (read more)
SL: I really loved Corresponding Selves at Dodge Gallery. I think that the paintings were really powerful not just individually but as a group. One of the things that really stood out for me in this show was the way that you handled materials as carriers of formal and emotional information. Fabric didn’t just hold paint,… (read more)
I’m starting a new feature here at artandeverythingafter.com. Because of time and distance, I miss talking with people about what is going on in their studios. To that end, I’m starting ONE QUESTION and fortunately I get to kick it off with Wendy White. I sent Wendy one question that I have been thinking about… (read more)